The Mortuary Temple of Amenhotep III, known locally as Kom el-Hettan, once covered 350,000 square meters, making it the largest religious complex in the Theban Necropolis. Most visitors today only see the two 18-meter-tall Colossi of Memnon standing guard at the entrance. This site sits approximately 500 meters west of the main road connecting the Nile to the Valley of the Kings. During the 14th century BCE, this massive precinct was dedicated to the god Amun-Ra and functioned as a ritual center for the pharaoh's eternal solar cycle. Recent archaeological efforts have transformed the area from a forgotten field of ruins into an active excavation site revealing hundreds of statues.
When Amenhotep III commissioned this temple around 1350 BCE, he intended to eclipse every other structure in Egypt, including the great Temple of Karnak. The primary axis of the building aligns with the rising sun, allowing light to penetrate the series of three massive mud-brick pylons that once led to the central solar court. Unlike the stone temples of later dynasties, the majority of the walls were constructed from sun-dried brick, which explains why the site appears mostly flat today compared to the neighboring Medinet Habu. The vast enclosure measured 700 meters in length and 550 meters in width, a footprint that dwarfs the Ramesseum located just to the north. I find that standing at the very rear of the site gives the best perspective of just how much ground this complex covered before rising groundwater and ancient earthquakes began its destruction.
Each of the two massive statues at the entrance weighs roughly 720 tons and was carved from single blocks of quartzite sandstone transported from near modern-day Cairo. These figures represent Amenhotep III seated on his throne, though the northern colossus became famous in Roman times for a different reason. Following an earthquake in 27 BCE, the statue developed a crack that caused it to whistle or sing at dawn as the stone expanded in the morning heat. Romans believed this was the voice of the mythical hero Memnon greeting his mother Eos, the goddess of the dawn. While the Roman emperor Septimius Severus eventually repaired the statue and silenced the sound, the name stuck. These giants stand roughly 18 meters high, providing a scale for the colossal gates that once towered behind them.
Archaeologists working with the Colossi of Memnon and Amenhotep III Temple Conservation Project have uncovered more than 100 statues of the lion-headed goddess Sekhmet in the last decade alone. Scientists believe the pharaoh originally commissioned approximately 600 of these statues to be placed throughout the temple courtyards. This massive production served a specific purpose: Sekhmet was the goddess of healing and protection, and the pharaoh was suffering from various illnesses late in his life. The sheer density of these black granite carvings is unparalleled anywhere else in Egypt. Walking along the perimeter fence, you can often see these newly unearthed goddesses lined up in neat rows as conservators work to stabilize the stone after centuries of salt damage from the soil.
The site is currently a work in progress rather than a finished museum, which offers a rare look at archaeology in real-time. In 2012, researchers re-erected a massive quartzite stela that stands over 10 meters tall and depicts the pharaoh with the gods Amun-Ra and Anubis. They have also recovered fragments of a third colossus that once stood at the second pylon, made of red granite instead of the yellow quartzite used for the front pair. This ongoing reconstruction is funded largely by private donations and international grants rather than the standard Egyptian government tourism budget. I recommend visiting the site during the winter months when the German-Egyptian mission is actively on-site, as you can often observe the heavy lifting equipment and delicate cleaning processes taking place behind the Colossi.
Access to the front area of the Colossi of Memnon is free of charge and requires no ticket, making it one of the few major attractions in Luxor without a barrier. Most tour buses stop here for exactly ten minutes at 9:00 AM, creating a localized crowd that quickly disperses. To avoid the heat and the noise, arrive at 6:00 AM when the morning sun illuminates the faces of the statues and the air is still cool. The inner excavation areas of the temple are generally fenced off to protect the ongoing work, but a special permit or a private guide with archaeological credentials can sometimes facilitate closer access to the solar court. The site lacks any shade whatsoever, so carrying at least one liter of water is necessary even for a short twenty-minute walk around the perimeter.
Because the temple is located on the flat floodplain between the Nile and the hills of the Theban Necropolis, it serves as a natural transition point between the cultivation and the desert. It is positioned roughly halfway between the temple of Medinet Habu and the Ramesseum, making it easy to include in a walking tour of the West Bank. Most travelers overlook the vast open area behind the Colossi, but this is a mistake if you want to understand the true layout of ancient Thebes. The contrast between the lush green fields that now surround the ruins and the stark desert cliffs of the Valley of the Queens in the distance provides a visual context for how the pharaohs viewed the boundary between life and the afterlife. I suggest spending at least thirty minutes here to walk the northern perimeter toward the ticket office to see the varying layers of sediment that have buried the site over three millennia.
Viewing the Colossi of Memnon at the front of the site is free and does not require a ticket from the central West Bank office. However, access to the active excavation area behind the statues is restricted to authorized personnel and special tour groups.
A standard visit to see the Colossi of Memnon takes about 15 to 20 minutes for photos and reading the information plaques. If you intend to walk the perimeter of the 35-hectare temple site to see the Sekhmet statues and the reconstructed stelae, plan for at least 45 minutes.
Pharaoh Amenhotep III commissioned an estimated 600 statues of the goddess Sekhmet to protect the temple from evil and to help cure his own physical ailments. Over 100 of these black granite statues have been recovered from the mud of the site in the last twenty years.
Sunrise is the ideal time because the sun rises directly across the Nile and hits the eastern-facing statues with a warm glow. The site is also significantly quieter at 6:00 AM before the large tour groups arrive from the cruise ships around 9:00 AM.
A massive earthquake around 1200 BCE caused severe damage, and subsequent pharaohs like Merneptah used the site as a quarry for their own construction projects. Rising groundwater from the Nile also dissolved the mud-brick walls, leaving only the heaviest stone elements behind.
Aysha Mahmood Absolutely magnificent and can’t believe such a piece of history exists. Ancient history. There were so many hot air balloons lifting off from here that looked incredible and a “stone bone graveyard” of all the pieces still waiting to be put together. The antiquities department of Egypt is doing a great job.
Ishteaq Hossain Good place. Near the road close to valley of the kings of Luxor's west bank. No tickets needed and it's open for all .. It's beautiful ..
Le Dang This is one of the stops in our itinerary. Im glad that i got to see it. It was short and very hot at daytime but sure worth visiting
Mark Pitts This monument was great to stop to see and get some photos. The parking lot is small, and it is usually very busy. There are restrooms here, but also many vendors who will try to get your attention. Plan only 15 or 20 minutes to walk around and get photos of the two colossi statues
Harold Franken Miraculous in sandstone carved statues! But 100m further in the direction of the mountains you can find highly polished as if they where casted in granite statues. Also worthy to visit!