The Prempeh II Jubilee Museum occupies a structure modeled after a 19th-century Asante royal residence and houses the 300-year-old silver casket of King Prempeh I. Located within the Kumasi Centre for National Culture, this institution opened in 1954 as the first museum in Ghana, predating national independence by three years. Visitors usually pay around 50 GHS for entry as international tourists, though rates for students and locals are significantly lower. The building itself serves as a functional replica of a traditional courtyard house, providing a cool, shaded environment that contrasts with the humid heat of central Kumasi.
The collection centers on the personal belongings of the Asante Kings, specifically Otumfuo Sir Osei Agyeman Prempeh II. Inside the main gallery, the silver chest used by Prempeh I to store his treasures during his exile to the Seychelles remains a focal point. This heavy, metal-bound box serves as a physical reminder of the British-Asante conflicts and the eventual return of the royal family. You will also find the golden weights used for the salt and gold trade, which were the backbone of the regional economy for centuries. These weights come in various geometric and animal shapes, each representing a specific value or proverb.
Looking closely at the Kente cloths on display reveals the evolution of weaving techniques in the Ashanti region. One specific garment belonged to a high-ranking priest and features intricate patterns that were once reserved exclusively for the royal court. The museum also displays the leather sandals and ceremonial stools used by former monarchs. While the actual Golden Stool is never on public display, the replicas and ceremonial stools here help explain the spiritual link between the Asante people and their ancestors. The lack of modern digital displays actually helps maintain a certain austere atmosphere that feels appropriate for a royal treasury.
Architecturally, the museum is an exercise in traditional Asante design, characterized by its open-air courtyards and steeply pitched roofs. The structure uses thick walls that naturally regulate temperature, making it one of the few places in the city center where you can escape the sun without needing fans. The courtyard walls are decorated with relief carvings known as adinkra symbols, each carrying a philosophical meaning. Unlike many modern museums that use glass and steel, this wooden and clay-style construction feels like a living part of the history it protects. The layout consists of four rooms facing an inner square, a design intended to facilitate communal living and ventilation.
Finding the museum can be tricky because it sits deep within the sprawling grounds of the Centre for National Culture near the Kumasi Zoo. I recommend entering through the main gate on Bantama Road and walking past the craft stalls instead of trying to find a side entrance. The museum operates from 9:00 AM to 5:00 PM daily, but the best time to visit is around 10:30 AM after the morning rush has settled. Most visitors spend about 45 to 60 minutes inside the museum before heading to the nearby workshops where you can watch brass smiths and weavers at work. This transition from historical objects to living crafts provides a much better context for understanding Asante culture than the museum visit alone.
Photography is strictly prohibited inside the gallery rooms to protect the integrity of the royal artifacts and respect the spiritual nature of certain items. Guards are quite vigilant about this rule, so keep your phone in your pocket or bag to avoid an awkward confrontation. The guides at the museum are generally very knowledgeable and expect a small tip at the end of the tour, usually around 20 to 30 GHS. It is helpful to ask questions about the specific meanings of the gold weights, as the guides often share oral histories that are not written on the small, typed labels. The museum shop outside sells replicas of the items seen inside, though the quality varies wildly between stalls.
The museum is open daily from 9:00 AM to 5:00 PM, including weekends. International adult visitors should expect to pay approximately 50 GHS for entry, while Ghanaian citizens and students pay a reduced rate around 10 to 20 GHS. It is wise to carry small denominations of the Ghanaian Cedi since change is often unavailable at the ticket desk.
No photography or video recording is permitted inside the museum galleries where the royal artifacts are displayed. This policy is strictly enforced to protect the delicate fabrics and respect the cultural sensitivity of the royal regalia. You are free to take photos of the museum building exterior and the surrounding grounds of the Centre for National Culture.
The museum is located within the Centre for National Culture, which is easily accessible by taxi or tro-tro from the Kejetia Market area. If you are coming from the airport, a taxi ride takes about 20 minutes depending on the notorious Kumasi traffic. Simply tell the driver you are going to the Cultural Centre near the zoo, as most locals recognize that landmark more easily than the museum name itself.
The 300-year-old silver casket used by King Prempeh I during his exile is widely considered the most significant historical piece in the museum. Other notable items include the original gold weights and the personal ceremonial stools of past Asantehene. These objects collectively represent the power and wealth of the Ashanti Empire during its peak.
Guillem Marcet Small but nice museum, the tour was very helpful to understand the history of the Golden Coast.
Angela Lusigi Had a lovely visit. Superb guide. I learnt a lot about the history of the Ashanti Kingdom and the Akan culture. Small but beautiful and impactful. A must see if you are in Kumasi. Don't forget to visit the shop at the craft centre.
GEORGINA BOAFO It was an insightful experience to learn our culture and get to see all the beautiful displays
Angela Hany The artifacts in the museum talks about the Asante's beautiful history and their culture. The building itself is an old Asante architectural design with four chambers and a courtyard with a traditional kitchen setup for the Asante Kings from centuries ago.
Obed Frimpong Prempeh II Jubilee Museum really depicts Ashanti history and culture. I really love the place expecially how the museum is built to depict Ashanti traditional building.