Serapeum of Saqqara- Travel Tips
What to See, How to Plan & Tours
Historical & Cultural
Egypt
5 Reviews
+3 Photos
Suggested Duration: 2 hours

Underground Marvels: A Guide to the Serapeum of Saqqara

The Serapeum of Saqqara is a massive subterranean burial complex located roughly 30 kilometers south of Cairo within the ancient necropolis of Memphis. This site served as the final resting place for the sacred Apis bulls, which the ancient Egyptians worshipped as living manifestations of the god Ptah. Modern visitors typically access the vaults via a modern entrance ramp that descends into a series of limestone-cut galleries stretching nearly 300 meters in total length. Currently, a ticket for the Serapeum costs 220 EGP for foreign adults, which is an add-on price to the general Saqqara site entrance fee of 450 EGP.

Historical Context and the Discovery of the Apis Vaults

The Archaeologist Auguste Mariette and the Sphinx Avenue

French archaeologist Auguste Mariette identified the location of the Serapeum in 1850 after noticing a sphinx head protruding from the desert sands. This discovery was largely guided by the writings of the Greek geographer Strabo, who had described an avenue of sphinxes leading toward the temple of Serapis. Mariette eventually cleared a path of 140 sphinxes that had been buried for centuries by shifting dunes. In 1851, he successfully breached the main entrance to the Greater Vaults, where he found most of the tombs had already been looted in antiquity. The excavation remains one of the most significant events in 19th-century Egyptology because it provided a chronological record of the Apis bulls spanning over 1,400 years.

The Significance of the Apis Bull Cult

The cult of the Apis bull reached its peak during the Late Period and the Ptolemaic era, though its origins date back to the First Dynasty. Only one bull was chosen at a time based on specific physical markings, such as a white triangle on its forehead or a crescent moon on its flank. When the bull died, it was mummified with the same level of ritual complexity as a pharaoh and transported to the Serapeum for interment. These animals were believed to become Osiris-Apis after death, a deity that later evolved into the Greco-Egyptian god Serapis under the reign of Ptolemy I. The sheer scale of the burials reflects the deep religious importance placed on these animals as mediators between the people and the divine.

Technical Specifications and Engineering Mysteries

Granite Sarcophagi Weight and Precision

The Greater Vaults contain 24 massive sarcophagi made primarily from red and black granite brought from Aswan, which is over 800 kilometers to the south. Each box is roughly 4 meters long and 2.3 meters wide, standing about 3.3 meters high. The weight of these structures is the primary source of modern engineering speculation. An individual empty box weighs approximately 60 to 70 tons, while the lid alone accounts for another 30 tons. This means the combined weight of a single unit can reach 100 tons. The internal surfaces of many boxes exhibit a high-gloss polish and precise 90-degree angles that suggest advanced stone-working techniques that remain difficult to replicate with the copper tools commonly attributed to the era.

The Subterranean Layout and the Unfinished Box

Walking through the main corridor, you will see the sarcophagi sitting in recessed chambers located on either side of the central path. Most of these vaults are empty, as Mariette only found one intact burial containing bull remains and jewelry during his initial exploration. One of the most striking sights is the unfinished box left sitting in the middle of a hallway near the entrance. It appears as if the ancient workers simply stopped moving itโ€”likely due to a flaw in the stone or a sudden political shift that halted construction. This particular box allows you to see the rougher exterior finish before the final polishing stage and highlights the logistical nightmare of maneuvering such a massive object through a corridor barely wider than the stone itself.

Essential Visitor Logistics and Practical Advice

Ticket Pricing and Site Accessibility

You must purchase your Serapeum ticket at the main ticket office located at the entrance to the Saqqara archaeological site. There is no ticket booth at the actual entrance to the tunnels, and the walk from the Step Pyramid is roughly 15 to 20 minutes across open desert. If you forget to buy the add-on ticket at the gate, you will have to walk or drive all the way back to the main entrance, which is a common mistake that ruins many itineraries. Most travelers find that 30 to 45 minutes is sufficient to explore the tunnels. The site is open daily from 8:00 AM to 5:00 PM, but the tunnels may close slightly earlier to allow for end-of-day security checks.

Environmental Conditions Inside the Tunnels

The air inside the Serapeum is stagnant and often thick with fine limestone dust, which can be difficult for people with respiratory issues. While the Ministry of Antiquities has installed a basic ventilation system and LED lighting, the humidity increases noticeably as you walk toward the furthest reaches of the gallery. I recommend bringing a small handheld fan or at least a bottle of water, as the temperature difference between the shaded tunnels and the blazing desert sun above can be jarring. Even though the lighting is better than it was five years ago, a phone flashlight helps you see the crudely scratched hieroglyphs on the side of the abandoned box near the entrance. The floor is largely level but can be slippery in areas where the dust has settled on the polished stone.

Frequently Asked Questions

Is the Serapeum of Saqqara included in the general Saqqara ticket?

No, it requires a separate add-on ticket that currently costs 220 EGP for foreign adults and 110 EGP for students. You must purchase this at the main gate of the Saqqara complex before heading to the actual site of the tombs.

How many sarcophagi are inside the Serapeum?

There are 24 massive granite and diorite sarcophagi currently located within the Greater Vaults of the complex. Only one of these boxes was found intact with an actual burial during the 1851 excavation by Auguste Mariette.

What is the best way to get to the Serapeum from Cairo?

The most efficient method is hiring an Uber or a private driver for a half-day trip, which typically costs between 600 and 900 EGP depending on your bargaining skills. There is no direct public transportation to the site, and the nearest metro station is far enough away that you would still need a taxi for the final leg.

Why are the sarcophagi in the Serapeum so large?

The boxes were designed to hold the mummified remains of the sacred Apis bulls, which were significantly larger than human remains. The massive scale and the use of hard granite also served a symbolic purpose to ensure the eternal protection of the bull's spirit in the afterlife.

Can I take photos inside the Serapeum tunnels?

Standard mobile phone photography is generally permitted with your entrance ticket, but professional cameras and tripods usually require a separate photography permit. It is best to avoid using a flash to respect the preservation of the stone and the comfort of other visitors in the confined space.

Reviews of Serapeum of Saqqara

  • attractions-reviews-avatar Benedict Mac
    4
    Reviewed: 2025-06-15

    This is full of sarcophagi for sacred bulls. Other than that, not much to it. Other sites around here have more to them. Watch out for the guides who attach themselves to you! Just say no thank you. We didn't, but we didn't learn a huge amount. The sarcophagi are hugely impressive. The only one smashed is the one the French did when they found and took the mummy to the Louvre. Some were told.

  • attractions-reviews-avatar Marwan
    5
    Reviewed: 2025-04-25

    one of Egyptโ€™s most mind-blowing ancient wonders. this is a vast underground labyrinth of massive granite sarcophagi, each weighing 70+ TONS!. very indication of lost ancient technology

  • attractions-reviews-avatar Nirmal Kumar
    4
    Reviewed: 2025-04-16

    ๐–ด๐—‡๐—๐–พ๐—‚๐—…๐—‚๐—‡๐—€ ๐– ๐—‡๐–ผ๐—‚๐–พ๐—‡๐— ๐–ฌ๐—’๐—Œ๐—๐–พ๐—‹๐—‚๐–พ๐—Œ ๐—ฆ๐—˜๐—ฅ๐—”๐—ฃ๐—˜๐—จ๐—  ๐—ข๐—™ ๐—ฆ๐—”๐—ค๐—ค๐—”๐—ฅ๐—” | ๐—š๐—œ๐—ญ๐—” | ๐—˜๐—š๐—ฌ๐—ฃ๐—ง ๐–จ๐–ฟ ๐—’๐—ˆ๐—Žโ€™๐—‹๐–พ ๐–ฝ๐—‹๐–บ๐—๐—‡ ๐—๐—ˆ ๐—‰๐—…๐–บ๐–ผ๐–พ๐—Œ ๐—๐—๐–พ๐—‹๐–พ ๐–บ๐—‡๐–ผ๐—‚๐–พ๐—‡๐— ๐—๐—‚๐—Œ๐—๐—ˆ๐—‹๐—’ ๐—๐—๐—‚๐—Œ๐—‰๐–พ๐—‹๐—Œ ๐—๐—๐—‹๐—ˆ๐—Ž๐—€๐— ๐—๐—๐–พ ๐—Œ๐—๐—ˆ๐—‡๐–พ๐—Œ, ๐—๐—๐–พ ๐–ฒ๐–พ๐—‹๐–บ๐—‰๐–พ๐—Ž๐—† ๐—ˆ๐–ฟ ๐–ฒ๐–บ๐—Š๐—Š๐–บ๐—‹๐–บ ๐—‚๐—‡ ๐–ค๐—€๐—’๐—‰๐— ๐—Œ๐—๐—ˆ๐—Ž๐—…๐–ฝ ๐–ป๐–พ ๐—๐—‚๐—€๐— ๐—ˆ๐—‡ ๐—’๐—ˆ๐—Ž๐—‹ ๐—…๐—‚๐—Œ๐—. ๐–ณ๐—Ž๐–ผ๐—„๐–พ๐–ฝ ๐—๐—‚๐—๐—๐—‚๐—‡ ๐—๐—๐–พ ๐—๐–บ๐—Œ๐— ๐—‡๐–พ๐–ผ๐—‹๐—ˆ๐—‰๐—ˆ๐—…๐—‚๐—Œ ๐—ˆ๐–ฟ ๐–ฒ๐–บ๐—Š๐—Š๐–บ๐—‹๐–บ, ๐—๐—๐—‚๐—Œ ๐—Ž๐—‡๐–ฝ๐–พ๐—‹๐—€๐—‹๐—ˆ๐—Ž๐—‡๐–ฝ ๐—๐—ˆ๐—‡๐–ฝ๐–พ๐—‹ ๐—‚๐—Œ๐—‡โ€™๐— ๐–บ๐—Œ ๐—๐—‚๐–ฝ๐–พ๐—…๐—’ ๐—๐—‚๐—Œ๐—‚๐—๐–พ๐–ฝ ๐–บ๐—Œ ๐—๐—๐–พ ๐–ฏ๐—’๐—‹๐–บ๐—†๐—‚๐–ฝ๐—Œ ๐—ˆ๐–ฟ ๐–ฆ๐—‚๐—“๐–บ, ๐–ป๐—Ž๐— ๐—‚๐— ๐—ˆ๐–ฟ๐–ฟ๐–พ๐—‹๐—Œ ๐–บ๐—‡ ๐–พ๐—‘๐—‰๐–พ๐—‹๐—‚๐–พ๐—‡๐–ผ๐–พ ๐—๐—๐–บ๐— ๐—‚๐—Œ ๐–พ๐—Š๐—Ž๐–บ๐—…๐—…๐—’, ๐—‚๐–ฟ ๐—‡๐—ˆ๐— ๐—†๐—ˆ๐—‹๐–พ, ๐—†๐—’๐—Œ๐—๐—‚๐–ฟ๐—’๐—‚๐—‡๐—€. ๐—” ๐—›๐—œ๐——๐——๐—˜๐—ก ๐—ช๐—ข๐—ฅ๐—Ÿ๐—— ๐—•๐—˜๐—ก๐—˜๐—”๐—ง๐—› ๐—ง๐—›๐—˜ ๐—ฆ๐—”๐—ก๐—— ๐–ณ๐—๐–พ ๐–ฒ๐–พ๐—‹๐–บ๐—‰๐–พ๐—Ž๐—† ๐—‚๐—Œ ๐–บ ๐—๐–บ๐—Œ๐— ๐—Œ๐—Ž๐–ป๐—๐–พ๐—‹๐—‹๐–บ๐—‡๐–พ๐–บ๐—‡ ๐—€๐–บ๐—…๐—…๐–พ๐—‹๐—’ ๐—ˆ๐—‡๐–ผ๐–พ ๐—Ž๐—Œ๐–พ๐–ฝ ๐—๐—ˆ ๐—๐—ˆ๐—Ž๐—Œ๐–พ ๐—๐—๐–พ ๐—Œ๐–บ๐–ผ๐—‹๐–พ๐–ฝ ๐– ๐—‰๐—‚๐—Œ ๐–ป๐—Ž๐—…๐—…๐—Œ - ๐–บ๐—‡๐—‚๐—†๐–บ๐—…๐—Œ ๐—๐—ˆ๐—‹๐—Œ๐—๐—‚๐—‰๐—‰๐–พ๐–ฝ ๐–บ๐—Œ ๐–พ๐–บ๐—‹๐—๐—๐—…๐—’ ๐—†๐–บ๐—‡๐—‚๐–ฟ๐–พ๐—Œ๐—๐–บ๐—๐—‚๐—ˆ๐—‡๐—Œ ๐—ˆ๐–ฟ ๐—๐—๐–พ ๐—€๐—ˆ๐–ฝ ๐–ฏ๐—๐–บ๐—. ๐–ณ๐—๐–พ๐—Œ๐–พ ๐–ป๐—Ž๐—…๐—…๐—Œ ๐—๐–พ๐—‹๐–พ ๐—†๐—Ž๐—†๐—†๐—‚๐–ฟ๐—‚๐–พ๐–ฝ ๐–บ๐—‡๐–ฝ ๐–ป๐—Ž๐—‹๐—‚๐–พ๐–ฝ ๐—๐—‚๐—๐— ๐—€๐—‹๐–พ๐–บ๐— ๐—๐—ˆ๐—‡๐—ˆ๐—‹. ๐–ณ๐—๐–พ ๐—๐—ˆ๐—†๐–ป๐—Œ ๐–ฝ๐–บ๐—๐–พ ๐–ป๐–บ๐–ผ๐—„ ๐—๐—ˆ ๐–บ๐—Œ ๐–พ๐–บ๐—‹๐—…๐—’ ๐–บ๐—Œ ๐—๐—๐–พ ๐Ÿฃ๐Ÿช๐—๐— ๐–ฃ๐—’๐—‡๐–บ๐—Œ๐—๐—’, ๐–ป๐—Ž๐— ๐—๐—๐–พ ๐—€๐–บ๐—…๐—…๐–พ๐—‹๐—‚๐–พ๐—Œ ๐–บ๐—Œ ๐—๐–พ ๐—Œ๐–พ๐–พ ๐—๐—๐–พ๐—† ๐—๐—ˆ๐–ฝ๐–บ๐—’ ๐—๐–พ๐—‹๐–พ ๐—†๐—ˆ๐—Œ๐— ๐–บ๐–ผ๐—๐—‚๐—๐–พ๐—…๐—’ ๐—Ž๐—Œ๐–พ๐–ฝ ๐–ฝ๐—Ž๐—‹๐—‚๐—‡๐—€ ๐—๐—๐–พ ๐–ซ๐–บ๐—๐–พ ๐–ฏ๐–พ๐—‹๐—‚๐—ˆ๐–ฝ ๐—ˆ๐–ฟ ๐– ๐—‡๐–ผ๐—‚๐–พ๐—‡๐— ๐–ค๐—€๐—’๐—‰๐—. ๐–ฃ๐–พ๐—Œ๐–ผ๐–พ๐—‡๐–ฝ๐—‚๐—‡๐—€ ๐—‚๐—‡๐—๐—ˆ ๐—๐—๐–พ ๐–ฒ๐–พ๐—‹๐–บ๐—‰๐–พ๐—Ž๐—† ๐–ฟ๐–พ๐–พ๐—…๐—Œ ๐—…๐—‚๐—„๐–พ ๐—Œ๐—๐–พ๐—‰๐—‰๐—‚๐—‡๐—€ ๐—‚๐—‡๐—๐—ˆ ๐–บ๐—‡๐—ˆ๐—๐—๐–พ๐—‹ ๐—๐—ˆ๐—‹๐—…๐–ฝ. ๐–ณ๐—๐–พ ๐—๐—Ž๐—‡๐—‡๐–พ๐—…๐—Œ ๐–บ๐—‹๐–พ ๐–ฝ๐—‚๐—†๐—…๐—’ ๐—…๐—‚๐—, ๐–ผ๐—ˆ๐—ˆ๐—…, ๐–บ๐—‡๐–ฝ ๐–พ๐–พ๐—‹๐—‚๐—…๐—’ ๐—Œ๐—‚๐—…๐–พ๐—‡๐—, ๐—๐—‚๐—๐— ๐—†๐–บ๐—Œ๐—Œ๐—‚๐—๐–พ ๐—€๐—‹๐–บ๐—‡๐—‚๐—๐–พ ๐—Œ๐–บ๐—‹๐–ผ๐—ˆ๐—‰๐—๐–บ๐—€๐—‚ ๐—…๐—‚๐—‡๐—‚๐—‡๐—€ ๐—๐—๐–พ ๐–ผ๐—๐–บ๐—†๐–ป๐–พ๐—‹๐—Œ. ๐–ค๐–บ๐–ผ๐— ๐—Œ๐–บ๐—‹๐–ผ๐—ˆ๐—‰๐—๐–บ๐—€๐—Ž๐—Œ ๐—‚๐—Œ ๐–พ๐—‡๐—ˆ๐—‹๐—†๐—ˆ๐—Ž๐—Œ, ๐—Œ๐—ˆ๐—†๐–พ ๐—๐–พ๐—‚๐—€๐—๐—‚๐—‡๐—€ ๐—Ž๐—‰ ๐—๐—ˆ ๐Ÿฉ๐Ÿข ๐—๐—ˆ๐—‡๐—Œ ๐–บ๐—‡๐–ฝ ๐—๐—๐–พ ๐–ผ๐—‹๐–บ๐–ฟ๐—๐—Œ๐—†๐–บ๐—‡๐—Œ๐—๐—‚๐—‰ ๐—‚๐—Œ ๐–บ๐—Œ๐—๐—ˆ๐—‡๐—‚๐—Œ๐—๐—‚๐—‡๐—€. ๐–ณ๐—๐–พ ๐—Œ๐—๐–พ๐–พ๐—‹ ๐—Œ๐–ผ๐–บ๐—…๐–พ ๐—†๐–บ๐—„๐–พ๐—Œ ๐—’๐—ˆ๐—Ž ๐—๐—ˆ๐—‡๐–ฝ๐–พ๐—‹ ๐—๐—ˆ๐— ๐–บ๐—‡๐–ผ๐—‚๐–พ๐—‡๐— ๐–ค๐—€๐—’๐—‰๐—๐—‚๐–บ๐—‡๐—Œ ๐—†๐—ˆ๐—๐–พ๐–ฝ ๐–บ๐—‡๐–ฝ ๐—‰๐—…๐–บ๐–ผ๐–พ๐–ฝ ๐—๐—๐–พ๐—Œ๐–พ ๐—†๐—ˆ๐—‡๐—ˆ๐—…๐—‚๐—๐—๐—Œ ๐—๐—‚๐—๐— ๐—Œ๐—Ž๐–ผ๐— ๐—‰๐—‹๐–พ๐–ผ๐—‚๐—Œ๐—‚๐—ˆ๐—‡. ๐—š๐—˜๐—ง๐—ง๐—œ๐—ก๐—š ๐—ง๐—›๐—˜๐—ฅ๐—˜ ๐–ณ๐—๐–พ ๐–ฒ๐–พ๐—‹๐–บ๐—‰๐–พ๐—Ž๐—† ๐—‚๐—Œ ๐–บ ๐—‰๐–บ๐—‹๐— ๐—ˆ๐–ฟ ๐–ฒ๐–บ๐—Š๐—Š๐–บ๐—‹๐–บ ๐–ญ๐–พ๐–ผ๐—‹๐—ˆ๐—‰๐—ˆ๐—…๐—‚๐—Œ. ๐–จ ๐—‹๐–พ๐–ผ๐—ˆ๐—†๐—†๐–พ๐—‡๐–ฝ ๐—๐—‚๐—‹๐—‚๐—‡๐—€ ๐–บ ๐—€๐—Ž๐—‚๐–ฝ๐–พ ๐—ˆ๐—‹ ๐—ƒ๐—ˆ๐—‚๐—‡๐—‚๐—‡๐—€ ๐–บ ๐—Œ๐—†๐–บ๐—…๐—… ๐—๐—ˆ๐—Ž๐—‹ ๐—€๐—‹๐—ˆ๐—Ž๐—‰, ๐—‡๐—ˆ๐— ๐—ˆ๐—‡๐—…๐—’ ๐–ฟ๐—ˆ๐—‹ ๐–พ๐–บ๐—Œ๐–พ ๐—ˆ๐–ฟ ๐—๐—‹๐–บ๐—‡๐—Œ๐—‰๐—ˆ๐—‹๐— ๐–ป๐—Ž๐— ๐—๐—ˆ ๐—€๐–บ๐—‚๐—‡ ๐–บ ๐–ฝ๐–พ๐–พ๐—‰๐–พ๐—‹ ๐—Ž๐—‡๐–ฝ๐–พ๐—‹๐—Œ๐—๐–บ๐—‡๐–ฝ๐—‚๐—‡๐—€ ๐—ˆ๐–ฟ ๐—๐—๐–พ ๐—Œ๐—‚๐—๐–พโ€™๐—Œ ๐—Œ๐—‚๐—€๐—‡๐—‚๐–ฟ๐—‚๐–ผ๐–บ๐—‡๐–ผ๐–พ. ๐–ฌ๐—ˆ๐—Œ๐— ๐—๐—‚๐—Œ๐—‚๐—๐—ˆ๐—‹๐—Œ ๐–ผ๐—ˆ๐—†๐–ป๐—‚๐—‡๐–พ ๐—๐—๐–พ ๐–ฒ๐–พ๐—‹๐–บ๐—‰๐–พ๐—Ž๐—† ๐—๐—‚๐—๐— ๐–บ ๐—๐—‚๐—Œ๐—‚๐— ๐—๐—ˆ ๐—๐—๐–พ ๐–ฒ๐—๐–พ๐—‰ ๐—ฃ๐˜†๐—ฟ๐—ฎ๐—บ๐—ถ๐—ฑ ๐—ผ๐—ณ ๐——๐—ท๐—ผ๐˜€๐—ฒ๐—ฟ, ๐—๐—๐–พ ๐—ˆ๐—…๐–ฝ๐–พ๐—Œ๐— ๐—‰๐—’๐—‹๐–บ๐—†๐—‚๐–ฝ ๐—‚๐—‡ ๐–ค๐—€๐—’๐—‰๐—. ๐—ง๐—œ๐—–๐—ž๐—˜๐—ง๐—ฆ & ๐—”๐—–๐—–๐—˜๐—ฆ๐—ฆ ๐—ฆ๐—ฎ๐—พ๐—พ๐—ฎ๐—ฟ๐—ฎ ๐—”๐—ฟ๐—ฒ๐—ฎ : ๐– ๐–ฝ๐—Ž๐—…๐— : ๐–ค๐–ฆ๐–ฏ ๐Ÿจ๐Ÿข๐Ÿข / ๐–ฒ๐—๐—Ž๐–ฝ๐–พ๐—‡๐— : ๐–ค๐–ฆ๐–ฏ ๐Ÿฅ๐Ÿข๐Ÿข ๐—ฆ๐—ฒ๐—ฟ๐—ฎ๐—ฝ๐—ฒ๐˜‚๐—บ : ๐– ๐–ฝ๐—Ž๐—…๐—: ๐–ค๐–ฆ๐–ฏ ๐Ÿฃ๐Ÿช๐Ÿข / ๐–ฒ๐—๐—Ž๐–ฝ๐–พ๐—‡๐—: ๐–ค๐–ฆ๐–ฏ ๐Ÿซ๐Ÿข ๐—ฃ๐˜†๐—ฟ๐—ฎ๐—บ๐—ถ๐—ฑ ๐—ผ๐—ณ ๐——๐—ท๐—ผ๐˜€๐—ฒ๐—ฟ : ๐– ๐–ฝ๐—Ž๐—…๐— : ๐–ค๐–ฆ๐–ฏ ๐Ÿค๐Ÿช๐Ÿข / ๐–ฒ๐—๐—Ž๐–ฝ๐–พ๐—‡๐— : ๐–ค๐–ฆ๐–ฏ ๐Ÿฃ๐Ÿฆ๐Ÿข ๐—™๐—œ๐—ก๐—”๐—Ÿ ๐—ง๐—›๐—ข๐—จ๐—š๐—›๐—ง๐—ฆ ๐–ถ๐—๐–บ๐— ๐—Œ๐—๐—‹๐—Ž๐–ผ๐—„ ๐—†๐–พ ๐—†๐—ˆ๐—Œ๐— ๐–บ๐–ป๐—ˆ๐—Ž๐— ๐—๐—๐–พ ๐–ฒ๐–พ๐—‹๐–บ๐—‰๐–พ๐—Ž๐—† ๐—๐–บ๐—Œ๐—‡โ€™๐— ๐—ƒ๐—Ž๐—Œ๐— ๐—‚๐—๐—Œ ๐—Œ๐–ผ๐–บ๐—…๐–พ ๐—ˆ๐—‹ ๐—๐—‚๐—Œ๐—๐—ˆ๐—‹๐—‚๐–ผ๐–บ๐—… ๐—๐–พ๐—‚๐—€๐—๐— - ๐—‚๐— ๐—๐–บ๐—Œ ๐—๐—๐–พ ๐—†๐—’๐—Œ๐—๐–พ๐—‹๐—’. ๐–ถ๐—๐—’ ๐—๐–พ๐—‹๐–พ ๐—๐—๐–พ ๐—Œ๐–บ๐—‹๐–ผ๐—ˆ๐—‰๐—๐–บ๐—€๐—‚ ๐—Œ๐—ˆ ๐—…๐–บ๐—‹๐—€๐–พ? ๐–ง๐—ˆ๐— ๐—๐–พ๐—‹๐–พ ๐—๐—๐–พ๐—’ ๐—†๐—ˆ๐—๐–พ๐–ฝ? ๐– ๐—‡๐–ฝ ๐—๐—๐—’ ๐–ฝ๐—ˆ ๐—Œ๐—ˆ๐—†๐–พ ๐—Œ๐—๐—ˆ๐— ๐—Œ๐—‚๐—€๐—‡๐—Œ ๐—ˆ๐–ฟ ๐–ป๐–พ๐—‚๐—‡๐—€ ๐—Œ๐–พ๐–บ๐—…๐–พ๐–ฝโ€ฆ ๐—’๐–พ๐— ๐–ผ๐—ˆ๐—‡๐—๐–บ๐—‚๐—‡ ๐—‡๐—ˆ๐—๐—๐—‚๐—‡๐—€? ๐–ณ๐—๐–พ ๐–ฒ๐–พ๐—‹๐–บ๐—‰๐–พ๐—Ž๐—† ๐–ฝ๐—ˆ๐–พ๐—Œ๐—‡โ€™๐— ๐—€๐—‚๐—๐–พ ๐–บ๐—๐–บ๐—’ ๐—‚๐—๐—Œ ๐—Œ๐–พ๐–ผ๐—‹๐–พ๐—๐—Œ ๐–พ๐–บ๐—Œ๐—‚๐—…๐—’ - ๐–ป๐—Ž๐— ๐—๐—๐–บ๐—โ€™๐—Œ ๐—๐—๐–บ๐— ๐—†๐–บ๐—„๐–พ๐—Œ ๐—‚๐— ๐—Œ๐—ˆ ๐–ฟ๐–บ๐—Œ๐–ผ๐—‚๐—‡๐–บ๐—๐—‚๐—‡๐—€.

  • attractions-reviews-avatar Ahmed Yassien
    5
    Reviewed: 2025-02-16

    The Serapeum of Saqqara was originated as a monument to the deceased Apis Bulls, The sacred animal of the god Ptah. And the area was used as a cemetery for the bulls as early as 1550 BC- 30 BC. It was King Ramses II who designed a main gallery and subsidiary chambers (by his son prince Khaemweset), and the following kings kept enlarging it. In death The deceased Apis bulls became assimilated to the god Osiris as Osiris-Apis. And in the Ptolemaic era it was dedicated to the Greco-Egyptian god Serapis (Osorapis).

  • attractions-reviews-avatar donohof
    5
    Reviewed: 2025-01-01

    Must be the most underrated place to visit in Saqqara. No queue at all and simply bewildered by the granite tombs which are cut from a single piece of up to 100 tons. How did they do it?!

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