The Nejjarine Fountain stands at the heart of Fes el-Bali as a functional masterpiece of 18th-century Moroccan craftsmanship. Commissioned in 1711, this public watering station serves the local community with water flowing from a brass spout into a marble basin. It is located in Place el-Nejjarine, a square famously linked to the city's ancient guild of carpenters. While many tourists walk past it while navigating the medina, those who stop realize it represents one of the most successful integration of utility and art in the city. The fountain was originally intended for both human consumption and ritual ablution, positioned strategically near the carpentry workshops and the massive merchant guesthouse.
The square itself was inscribed as part of the Medina of Fez UNESCO World Heritage site in 1981. This designation protects the unique spatial arrangement where the fountain, the Funduq al-Nejjarine, and the narrow alleyways converge. You will notice that the fountain is not a standalone structure but is built into the wall of a building, covered by a heavy, protruding canopy. This design protects the delicate tilework from the harsh sun and rain, preserving the vibrant colors for centuries.
The most striking feature of the fountain is the polychromatic zellij tilework that covers its lower half. These tiles are hand-cut into tiny geometric shapes and arranged in a complex pattern that radiates from a central star. Unlike modern ceramic work, these 18th-century tiles use traditional glazes derived from natural minerals, resulting in deep blues and earthy yellows that seem to change hue depending on the angle of the light. The symmetry of the tiles is not merely decorative; it follows Islamic geometric principles meant to reflect infinite order and harmony.
I recommend standing close to the basin to observe the grout lines between the tiles. The precision required to fit these irregular shapes together without gaps is a skill that takes decades for Moroccan artisans to master. The bottom edge of the tilework often shows wear from centuries of water buckets scraping against the surface, a detail that adds a layer of human history to the artistic achievement.
Above the tilework, the fountain is framed by a massive canopy of Atlas cedar wood. This wood is naturally resistant to rot, which is why the carvings from 1711 remain remarkably sharp today. The canopy features deep relief carvings and a decorative frieze that uses the moucharabiye style, a type of latticework often seen in traditional Moroccan windows. The weight of the wood is supported by heavy corbels that show traces of original paint, though most have faded to a natural dark brown over the years.
The top of the structure is capped with a green tiled roof, matching the aesthetic of the nearby Qarawiyyin Mosque. This consistency in roofing material across the medina helps maintain a visual unity when viewed from above. The transition from the colorful, hard zellij tiles to the dark, organic texture of the wood creates a visual balance that keeps the fountain from feeling overly ornate.
Directly adjacent to the fountain is the Funduq al-Nejjarine, which now houses the Museum of Wooden Arts and Crafts. This building was once a caravanserai where traveling merchants stayed overnight and stored their goods in the ground-floor stalls. Entering the museum costs 20 Moroccan Dirhams and provides a look at the interior courtyard architecture which mirrors the fountain's decorative style. The museum is open daily from 10:00 to 17:00, and it offers a quiet respite from the often crowded square outside.
Inside the museum, the displays focus on traditional tools and artifacts used by the carpenters who gave the square its name. You can see marriage chests, musical instruments, and ancient doors that use the same carving techniques seen on the fountain outside. The three-story interior with its wrap-around balconies is one of the best-preserved examples of Saadian-style architecture in North Africa.
Capturing a clear photo of the Nejjarine Fountain can be difficult because the square is a major thoroughfare for pedestrians and pack animals. For the best lighting, arrive at the square around 13:00 when the sun is high enough to illuminate the tiles beneath the overhanging canopy without creating harsh diagonal shadows. This is also the time when the colors of the zellij are most vibrant for digital sensors.
I suggest climbing to the roof of the Funduq al-Nejjarine because it offers the only perspective where you can see the fountain's scale relative to the surrounding carpentry workshops. From this height, you can look down into the square and watch the daily rhythms of the medina while also seeing the green tiles of the fountain's roof up close. This rooftop view also reveals how the fountain is physically attached to the larger structures of the carpentry district, showing its role as a communal anchor point.
No fee is required to view or photograph the fountain as it is located in a public square within the medina. It remains accessible 24 hours a day, though the best visibility is during daylight. The nearby museum is the only part of the square that requires a paid ticket of 20 Moroccan Dirhams.
The museum typically operates from 10:00 to 17:00 every day of the week. These hours can occasionally shift during the month of Ramadan, so visiting in the morning is usually the safest option for travelers. The museum staff often begins closing the upper galleries roughly fifteen minutes before the official end time.
Midday is the optimal time for photography because the sun sits directly over the square and minimizes the shadows cast by the wooden canopy. Between 12:30 and 14:00, the light bounces off the light-colored pavement and illuminates the zellij patterns clearly. Early morning or late afternoon often leaves the lower half of the fountain in deep shadow.
The fountain was placed in Place el-Nejjarine to provide water to the woodworkers and merchants who frequented the nearby funduq. Its name, Nejjarine, translates to carpenters, and the fountain served as the primary social and functional hub for this specific guild. This proximity allowed artisans to wash and drink without leaving their workshops for long periods.
Myshannon A small attraction in the old city of Bess, the fountain next to the Timber Museum. I heard that it is a beautiful historical site, but you must wash your hands before entering the mosque 2024/2/7
Jaisson Cittadin Bitencourt Old fountain
Ireneusz Bober Funduq al-Najjarin - a traditional inn for merchants and guests, was built in 1711, during the reign of Alaouite Sultan Ismail Ibn Sharif. The monumental entrance leads to the hall and central courtyard. The gate, 5 meters high and 3 meters wide, is surrounded by a facade with rich stucco and mosaic decorations with floral and geometric motifs as well as Arabic inscriptions, and is topped with an impressive carved cedar wood canopy. Currently, the building houses the Museum of Wood Arts and Crafts ( Le Musée Nejjarine des Arts et Métiers du Bois).
Dolf van Onna Exposition of old tools and craftwork, not that special. The building itself is nice, looks like a big riad.
Ettaqi Saida Najjarine square in an amazing place ,“Najjarine” square which is one of the most amazing historical squares in Fes, best known for its highly gorgeous fountain, decorated with ornate carvings and zellij